Studio Diary, The Landscape Project, part 1

Busts in progress, Aug 2014.

Busts in progress, Aug 2014.

Lots of changes, lots of layers.This is the main photo I am  focussing on; The sky, the land and the ocean and man’s presence – everything is integrated.

Bracelet Bay, Mumbles, Swansea by Steve Foote.

Bracelet Bay, Mumbles, Swansea, by Stephen Foote, 2014.

These 2 pictures and the experience of being in both these places is never far from my mind these days.

Porth Yr Ogof Cave, Brecon Beacons, by Stephen Foote.2014

Porth Yr Ogof Cave, Brecon Beacons, by Stephen Foote.2014

A narrative is emerging that involves the passage of water from the Beacons’ sky to the ocean at the bottom of the Swansea Valley. The Tawe River passes the Studio and the ground beneath us is full of  tunnels from the rivers and from mining. The Wyvern, a dragon with a wonderful mythology about guarding the treasures of the subterranean world entered the picture when I was heavily involved with the history of local Coal Mining and  the Pit Marker Sculptures and it is re-emerging here. OLYMPUS DIGITAL CAMERAThe next clay-armature is more specific now that I have a clearer idea of where I’m going.

3rd Bust armature in progress, Aug 2014.

3rd Bust armature in progress, Aug 2014.

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in progress, Aug 2014.

in progress, Aug 2014.

 

 

 

 

 

Studio Diary; Return to the Figurative

in progress, July 2014

in progress, July 2014

An intense couple of months ending in a merciful bereavement has lead me back to the clear boundaries and challenges of Figurative sculpture. Portrait skills are hard won and need to be practiced regularly or they will be lost.

I’ve been playing around with the technique of building outwards from a framework that wont be hollowed out later and/or is a visible part of the form for a couple of years now and  I wanted to try it with naturalistic work.

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The River,a commission. 1.5 m high

The River,a commission. 1.5 m high

Half a Century II, 48cm H x 32cm W.

Half a Century II, 48cm H x 32cm W.

I started with the exercise Lloyd Lilly taught us at Boston Uni (about 300 years ago); Make the skeleton and layer on the muscles and skin. It is fascinating to do and hugely informative. These are the skills that give Abstract work presence.

Anyone who has taken one of my Workshops will tell you, with tears in their eyes, that the key to figurative work is organising the huge amount of information into manageable stages and that the Skeleton is just a stick figure with the perfect proportions simplified for you.OLYMPUS DIGITAL CAMERA    OLYMPUS DIGITAL CAMERAI’m not sure how I manage to be so thick but once again I made a clay armature for a bust that allowed the head to tip forward. Good thing I have that red broom on hand to prop it up.

OLYMPUS DIGITAL CAMERA  With the 2nd one I made a much more interesting frame that would show in places.

in progress August 2014

in progress August 2014

It allowed me to work on the whole form from the outset  rather than build from the bottom up. I’m pushing myself hard to use new methods rather than fall into the same ol’ pitfalls and to be more expressive with the naturalistic format rather than only technical. I’ve done that many times before… but the results were pretty dire! This may also be yet anther very bad road but it’s the only route to get somewhere interesting. I’m aiming to integrate the figure with it’s landscape following the ideas of the Up Is Down Series. Wish me luck….!

Clay armature for a bust, aug 2014

Clay armature for a bust,  aug 2014

This clay armature is much stronger and the hollow spaces are more defined as part of the form good and early. The plan is to work towards integrating the Landscape work I’ve been doing with Cameraman Steve Foote using his stunning photographs.

Bracelet Bay, Mumbles, Swansea by Steve Foote

Bracelet Bay, Mumbles, Swansea by Steve Foote

Bracelet Bay, Mumbles, Swansea by Steve Foote

Bracelet Bay, Mumbles, Swansea by Steve Foote

Bracelet Bay, Mumbles, Swansea by Steve Foote.

Bracelet Bay, Mumbles, Swansea by Steve Foote.

Brecon Beacons, by Steve Foote.

Brecon Beacons, by Steve Foote.

Porth Yr Ogof Cave, Brecon Beacons, by Steve Foote.

Porth Yr Ogof Cave, Brecon Beacons, by Steve Foote.

This could take a while….

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Powys Arts Month 2014, Open Studio and Garden Exhibition.

Osprey arts mo flyer

 

All over Powys in Mid Wales, UK,  Artists and Craftsmen are opening their Studios and putting on special events to share work. It is a great time to find someone whose style appeals to you and go ask them about projects of your own. We all love talking shop and encouraging others with their creativity. It is an excellent  event for Bargains as Artists spring-clean their Studios and admit it is time to part with secret favourites.

Osprey Studios is open every weekend in May or phone and book any  time that would be more convenient. Evenings are a tranquil, charming time in the Garden.

Everything in this section is under £30.

Everything in this section is under £30.

 

Osprey Studios. Easy parking and access.

Osprey Studios. Easy parking and access.

 

 

 

 

 

 

 

 

 

Some of the Sculpture is fresh from the Kiln and new work will be on the go in the Studio.

Some of the Sculpture is fresh from the Kiln and new work will be on the go in the Studio.

Beautiful Penpont ,half way between here and Brecon has an Arts Month site too and is a glorious place to visit. The ‘Visit The Studio’ page here on this site has other attractions, directions  and details for having a lovely day here in the south-western corner of the Brecon Beacons National Park.

You can show up on the day for my 2 workshops but booking in advance will secure your place.

You can get a feel for my best white clay, Scarva Architectural,on the Join-in Sculpture  which will be on the go all month and I’ll put out my Momentum wheel for anyone to try for free too.

A Join In Sculpture at Brecon Jazz with The Big Skill.

A Join In Sculpture at Brecon Jazz with The Big Skill.

The lovely kids visiting Osprey Studios with The Chernobyl Life Line trying out the Momentum Wheel

The lovely kids visiting Osprey Studios with The Chernobyl Life Line trying out the Momentum Wheel

On the 17th the wonderful Photographer, Stephen Foote (see links) that did my best pictures is coming here for anyone else needing top quality images at an affordable price. Everyone is welcome to visit on that day- it will be busy and very interesting to see Stephen Foote working in the Studio.

osprey photo sesion2,PAM 2014

I have had a massive clear-out; I’ve got a large Commission to build in the Studio. It will be on the go during Powys Arts Month and your feed-back during the build would be a great help. It is not going to be an easy one! I’ll have a lot of brand-new, never shown, work here. You can handle the range of  specialist clays I use to see if they might suit you. And there’s also some fab seconds  for sale including my Gwenllians.

Taken as a pair they will be just £500 or £300 each. Some of my other smaller seconds will be £1-£30. They are all frost proof.

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Gwenllian was an actual historical Welsh Warrior Princess. Both Sculptures of her are life-sized and fully frost-proof.

Gwenllian was an actual historical Welsh Warrior Princess. Both Sculptures of her are life-sized and fully frost-proof.

Everyone including Schools and Families will be  very welcome  to Osprey Studios during Powys Arts Month. You can relax in the Garden with a complimentary drink and the kids can play with clay for as long as you like.

 

 

Studio Diary April 15

Up Is Down- in progress

Up Is Down- in progress

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Not sure about the results yet; they will change hugely when they are fired apart from anything else, but the method is working. These pieces are built solid from layered different clays that all have the same shrinkage and firing temperature so they shouldn’t crack at the joins… IF the joins are good…The main form is done in one go,thick. Then, once it is firm enough a lot of extraction is done. This shows up the colours.

Up Is Down- in progress

Up Is Down- in progress

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

These are not meant to be portraits of rocks.  The pieces are meant to have implicit forces running through the form causing the curves and the form creating a flow to the forces – exactly what happens as the tide ebbs and flows through the stones at Bracelet Bay. The Sculptures are about us. (see earlier posts about Up is Down)

Up Is Down- in progress

Up Is Down- in progress

 

 

 

 

 

 

 

 

 

 

At last these are properly 360 sculptures! I turn them over and in every direction as I carve,focussing on getting that flow to run past and into the surfaces,up and down.

Tidying and polishing takes forever because of keeping the white clays clear. An old, rough e-cloth is very helpful just on the white areas, used dry.

Up Is Down- in progress

Up Is Down- in progress

 

 

 

 

 

Studio Diary 25 March 2014

Up Is Down is a fascinating theme that is leading down all kinds of roads. Only time will tell how many of them are very bad….a percentage of my work is regularly too awful to fire – that’s the price of experimenting and taking risks.

I’m working for a very creative Company in the USA involving fire. And I have started a collaboration with  Photographer Stephen Foote (see Links for his Web-site) Both of these projects are benefitting from the early work of Up Is Down and now they are leading it with the movement and pull of forces and the changes that leaves on a form.

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Music is still key. A central space for Fire  and the intension to have no

or little base is a starting

template for the clay-armatures.

 

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Steve and I visited Bracelet Bay in the Mumbles, Swansea,one of the first of many spectacular  beaches around the Gower Peninsula. It was a strange, foggy day, very atmospheric, with the Fog-horn sounding in the mist. The feeling of the draw and strength of tidal waters pulling through the forms of stone is accentuated by faces covered in barnacles and pebbles left behind.

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 Steves pictures will be the reference point for the next batch of Up Is Down pieces.

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The resulting Sculptures will then potentially inform his next set of Pictures. And so on until it runs out of steam.

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