Tuition, Workshops, Play Events and Parties.

 

Theatr Brycheiniog's Kid's Zone at Brecon Jazz 2014

Theatr Brycheiniog’s Kid’s Zone at Brecon Jazz 2014

A Join-In Sculpture , Zimele UK. 2015

A Join-In Sculpture, with  Zimele UK in Abergavenny Castle. 2015

Theatr Brycheiniog's Kid's Zone at Brecon Jazz 2014

Theatr Brycheiniog’s Kid’s Zone at Brecon Jazz 2014

Sharing skills and encouraging creativity is what makes the world go round. I have a great deal of experience in guiding people of all ages and abilities towards their own style.

    Groups or individuals are welcome to come here – seeing the Studio lay-out and work-in-progress is part of the event. Or I can bring everything we need to you. The Workshop will be custom made to suit your needs.

For Example;

-I particularly encourage Teacher’s to do a fun, very straightforward  2 hour Workshop on Using Clay Modelling in School. We’ll cover firing/ self-hardening clays,recycling clay,decorating and controlling costs, everything to help you keep clay in the class room because it matters!

-A Portfolio Review will clarify the way you see your work in preparation for college applications or a change of direction.

-‘How To ‘classes with technical solutions for challenging projects,especially working on a large scale.

Join-In Sculptures are great fun and full of learning opportunities. It is a wonderful way to get Groups to explore ideas and themes. I have done these with adults and children at Schools, Events and Parties; Everyone adds their bit until we have a fabulous sculpture. Photos are taken and then we re-cycle the clay.

                   

  OLYMPUS DIGITAL CAMERA

A Join-In Sculpture with The Big Skill at Archaeology For All in Merthyr.

A Join-In Sculpture with The Big Skill at Archaeology For All in Merthyr.

    This fantastic 3 metre x 2.5 metre painting was done with many kids at the Penrhos Youth Centre over 6 weeks.

Fees;

£25 per hour + 44p/per/mile Travel + materials .On average Individuals will use around £2.00 worth of clay. On many projects , like the Join In Sculptures,all the material is re-clycled so there is no charge for it.

Advertisements

Studio Diary, The Tumble Commission, part 6.

OLYMPUS DIGITAL CAMERA
You learn a lot about your own work from watching a skilled Photographer taking pictures of it. You get a more objective view. The lights are certainly a merciless test of your planes and edges. Stephen Foote’s top quality lenses will pick up every flaw.

OLYMPUS DIGITAL CAMERA

 

 

I went over the whole piece with fine portrait tools and his perfect pictures reward that. I’m very inspired by the excellent craftsmanship of  stone or glass artists like Sally Fawkes (http://www.sallyfawkes.com ) her process is incredibly harsh and difficult yet she doesn’t back off until her stunning sculptures are flawless. Clay is way easier but avoiding marks when you are handling the piece is a constant battle

Sally Fawkes 'Perceiving Significance II' photo ;Richard Jackson

Sally Fawkes ‘Perceiving Significance II’ photo ;Richard Jackson

OLYMPUS DIGITAL CAMERA

After a spell of controlled drying it’s time cut the sections. Luckily I have a fantastic Assistant, Michael Preece. I spent a lot of time  planning the cuts; we have opted for large sections and I needed to ensure they would fit in the kiln and be handleable. Mike  used a variety of tools to make the cuts and he and my son Daniel lifted the sections to thick memory foam where they will stay for at least a month.

OLYMPUS DIGITAL CAMERA

Working in clay you always have an eye on the Drying and Firing -Plan; accommodating  these long drying periods where the atmosphere needs to be controlled and having the right sized pieces ready to pack nice full kilns that will distribute the heat evenly.

OLYMPUS DIGITAL CAMERA

 

 

 

I went round all the edges of the cuts and tidied them and repaired any dings. I will cover the sections with sheets to ward off drafts and turn them regularly. Most cracks form at this stage although they may not show up until after the Firing.