The Landscape Series.

This Series is a Collaboration with Photographer and Documentary Cameraman Stephen Foote.   Click on any picture to see it full size.

Stephen Foote and I met up after 30 years in 2014. We were good friends as teenagers, both rather disengaged with school, both making art in our own time. 30 years on we both still use art work as a major part of our interaction with this nutty world. Sharing our images was a key way we got to know each other again and harnessing that process in a joint project was simply a way of capturing a what was occurring naturally. We set a straightforward ” Artist Responds to Landscape ” brief and kept a very open mind while we walked, talked, Steve took pictures and I just took it all in. We met every few months and sent each other pictures of the ensuing work in-between times.

Steve is also a Cameraman and was involved in filming for Panorama during the early, very heated phase in Kiev and the Crimea. I was coming to the end of the Up Is Down Series . Our first visit was Bracelet Bay, Mumbles, Swansea. Then we went into Porth Yr Ogof caves and had a mind-blowing day for me; we spent hours in the dark, natural cave while Steve took a fab series of photographs. I stood in the river in the darkness, held the lights and listened to the flow of water, felt the under-ground breezes. From there the project clarified for us as the travels of the water from the sky above the Brecon Beacons to the river, especially the Tawe, down to the wide bay at Swansea, and out into the Ocean where much of it will return to the clouds and begin the circle again.

These pictures are roughly in sequence for the progression of work over time, with Steve’s Photos next to the related Sculptures in some cases.

Bracelet Bay , Stephen Foote.

Bracelet Bay , Stephen Foote.

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Up Is Down- in progress

Up Is Down- in progress

Water and Stone, Bracelet Bay, 2014, 24cmH x 56cm L x 33cm W, Marbled architectural ceramic.

Water and Stone, Bracelet Bay, 2014, 24cmH x 56cm L x 33cm W, Marbled architectural ceramic.

Stephen Foote; Dunes

Stephen Foote; Dunes

Bracelet Bay, Mumbles, Swansea by Steve Foote

Bracelet Bay, Mumbles, Swansea by Steve Foote

in progress, July 2014

Wyvern I in progress, July 2014

Bracelet Bay, Mumbles, Swansea by Steve Foote

Bracelet Bay, Mumbles, Swansea by Steve Foote

 

Bracelet Bay, Mumbles, Swansea by Steve Foote.

Bracelet Bay, Mumbles, Swansea by Steve Foote.

It was this fabulous picture of Bracelet Bay by Steve that shifted me abruptly into figures, much to my own surprise.

Busts in progress, Aug 2014.

Busts in progress, Aug 2014.

Bracelet Bay, Mumbles, Swansea by Steve Foote

Bracelet Bay, Mumbles, Swansea by Steve Foote

Wyvern II, 2014, 69cm H x 54cm W, x 31cm D, ceramic.

Wyvern II, 2014, 69cm H x 54cm W, x 31cm D, ceramic. Photo Steve Foote.

 

A narrative developed that was also influenced by the awesome storms of the previous winter. A trio of figures, the Guardians of the Aquasphere, the Lithosphere and the Atmosphere, arose and they and their Sentinels and Harbingers took on characteristics that the many life-forms of the Biosphere could relate to so that all would understand what was happening; The Triumvirate were going to let loose their forces. This was not to threaten or  punish. They simply knew it was time.

Each sphere over laps with the others. The Biosphere is particularly inter-woven with the other 3 spheres with the addition of sun-light. I  started looking at forms and ways to describe the Biosphere’s part of this story…the whole project is marvellously challenging! I’m far from sure I can pull this off but I’m loving the attempts. Steve’s stunning photographs seem to contain the whole mysterious narrative, characters and all, and I refer to them daily.

Here’s some links  to interesting, key parts of the research for the Landscape Series:

How the Earth Made Us, a fantastic BBC 2 series by Professor Iain Stewart.

-An interesting article put out in 2016:  Business Insider Australia

-here’s that information with a really interesting, informative video of leading scientist, James Hansen explaining the findings.

Naomi Klien‘s fascinating and very readable book, This Changes Everything and the exciting, optimistic organisation of the same name.

The Up is Down Series.

 

 

Brecon Beacons, by Steve Foote.

Brecon Beacons, by Steve Foote.

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Osprey II, 2015

Osprey II,

Osprey II, 2015.

The Atmosphere over the Lithosphere in the form of an Osprey.

 

Porth Yr Ogof Cave, Brecon Beacons, by Stephen Foote.2014

Porth Yr Ogof Cave, Brecon Beacons, by Stephen Foote, 2014. We spent hours down here and as I assisted the photography, standing in the river and pitch black, I felt the underground wind and heard all the sounds of water travelling through the rocks. Extraordinary. A living, breathing world of unparalleled beauty.

 

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Guardian of the Atmosphere, The Osprey

The Wyvern and the Osprey, 2014.

 

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The Wyvern, Guardian of the Lithosphere.

The Lithosphere has The Wyvern, a shape-shifting dragon that has taken a number of forms so far.

The Leviathan in progress, Sept 2014.

The Leviathan in progress, Sept 2014.

The Wyvern and The Leviathan. in progress, Sept 2014.

The Wyvern and The Leviathan. in progress, Sept 2014.

 

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Bracelet Bay, Stephen Foote.

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Wyvern VIII, 71cm L x 39cm H x 34cm D, Cavin Morris Gallery, New York, USA.

 

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The Wyvern.

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Bracelet Bay, Stephen Foote.

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The Wyvern.

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 Wyvern V, 2015, 27cm H x 51cm L x 25cm D, black ceramic.

Wyvern V, 2015, 27cm H x 51cm L x 25cm D, black ceramic. Cavin Morris Gallery, New York, USA.

Osprey, 2015, 31.5cm H x 21cm W x 17cm D, black architectural ceramic.

Osprey, 2015, 31.5cm H x 21cm W x 17cm D, black architectural ceramic.

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One of the exits of Porth yr Ogof Caves.

Leviathan II, 2015, 53cm H x 79cm L x 36cm D, ceramic.

Leviathan II, 2015, 53cm H x 79cm L x 36cm D, ceramic. Photo by Steve Foote.

Leviathan II, 2015, 53cm H x 79cm L x 36cm D, ceramic.

Leviathan II, 2015, 53cm H x 79cm L x 36cm D, ceramic. Photo by Steve Foote.

Wyvern V, 2015, 27cm H x 51cm L x 25cm D, black ceramic.

Wyvern V, 2015, 27cm H x 51cm L x 25cm D, black ceramic. Cavin Morris Gallery, New York, USA.

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Wyvern

The Guardian of the Aquasphere took on the form of the Mountain Ponies that run free in the Beacons.OLYMPUS DIGITAL CAMERA _F148186 _F148792 _F148797 OLYMPUS DIGITAL CAMERA   _F147964   OLYMPUS DIGITAL CAMERA OLYMPUS DIGITAL CAMERA _F148811   _F148835  _F148822   _F148837

These are fantastic years in the Studio; I am harnessing the narrative and collective sides of the monumental Community Sculptures of the last 13 years. But I’m free to use any scale. The architectural clays I use have given me the freedom to go anywhere in space. My amazing collection of Sculptor and Ceramist friends, from all over the world, on Facebook have encouraged and inspired me enormously. I’m settled into my lovely big Studio ( and gotten over the shock of having it at last!). Stephen and I communicate very well and we egg each other on.

Many thanks to everyone who has visited the work and given invaluable advice and feed-back. We will continue with this series of sculptures until it is done. I will add new images as they become available so that a progression is shown._F149794 _F149792 _F149774  _F149778  _F149751_F149767

 

Wyvern VIII, 38cm L x 14cm H x 15cm D.

Wyvern IX, 38cm L x 14cm H x 15cm D. 2016

Leviathan VIII, 56cm H x 97cm L x 28cm D.

Leviathan VIII, 56cm H x 97cm L x 28cm D. 2016

I have been chasing a surface that will describe the 3 spheres. I have added earth pigments in a binder to add soft, natural colours and a silky texture.

 

Leviathan V, 45cm H x 65cm L x 23cm D.

Leviathan V, 45cm H x 65cm L x 23cm D.

Leviathan V, 45cm H x 65cm L x 23cm D.

Leviathan V, 45cm H x 65cm L x 23cm D.

Aqua-sphere Sentinel, 77cm H x 40cm W x 23cm D.

Aqua-sphere Sentinel, 77cm H x 40cm W x 23cm D.

Leviathan IV, 35cm H x 61cm L x 29cm D.

Leviathan IV, 35cm H x 61cm L x 29cm D.

Lithosphere's Sentinel, 19cm H x 29cm L x 15cm D.

Lithosphere’s Sentinel, 19cm H x 29cm L x 15cm D.

The Land I, 24cm H x 65cm L x 19cm D.

The Land I, 24cm H x 65cm L x 19cm D. 2016.

‘The Land’ sculptures are very much about the Brecon Beacons, the area around Osprey Studios. They combine all the spheres.

The Land IV, 15cm H x 26cm L x 14cm D.

The Land IV, 15cm H x 26cm L x 14cm D.

The Land III, 15cm H x 43cm L x 12cm D.

The Land III, 15cm H x 43cm L x 12cm D.

Biosphere Sentinel II, 23cm H x 48cm L x 28cm D.

Biosphere Sentinel II, 23cm H x 48cm L x 28cm D.

The Land V, 15cm H x 32cm L x 14cm D.

The Land V, 15cm H x 32cm L x 14cm D.

Leviathan VI, 12.5cm H x 21cm L x 8cm D, Cavin Morris Gallery, New York, USA.

Mountain River Sentinel I, 69cm H x 39cm W x 28cm D. Oriel Bevan Jones Gallery, Carmarthen, UK.

Mountain River Sentinel I, 69cm H x 39cm W x 28cm D.

Mountain River Harbinger, 37cm L x 21cm H x 19cm W. Oriel Bevan Jones Gallery, Carmarthen, UK.

Mountain River Harbinger, 37cm L x 21cm H x 19cm W.

Coastal Harbinger II, 43cm L x 29cm H x 22cm W.

The Land VIII, 21cm L x 12cm H x 11cm W.

Coastal Harbinger, 35cm L x 23cm H x 16cm W.

Marking Time, Bronllys Hospital Woodland Walk, Powys, UK. 2017.

August 2017 and the focus is currently on Antarctica:

Christopher-Michel_flickr_Web

Fantastic image from Christopher-Michel_flickr_Web. Interesting article here: //goodnature.nathab.com/larsen-ice-shelf-breakoff-our-future-in-ice/

Guardian of the Valley I, 2017.

Guardian of the Valley I, 2017.

This fascinating article by Randall Morris about Masks describes the process that I am trying to work through here. I have learnt a great deal from Randall since joining Cavin Morris Gallery. His amazing collection and beautiful writing brings clarity to, and pin points the essence of, what is important in art. I am an animist by nature and it is my job to portray what I see but the distractions can be over-whelming.

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Enflamed at Cavin-Morris Gallery, New York.

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Being invited to join this beautiful, sensuous, soul-reaching collection made my day. Some of my favourite Ceramists like  Melanie Ferguson and Monique Rutherford show with Cavin-Morris Gallery. Their introduction to their site made my week;

“Cavin-Morris Gallery has been exhibiting world artists for 30 years. We specialise in the work of self-taught artists whose work is made independently of the art world canon yet participates equally on the wall or pedestal. We represent the new generation of self-taught artists whose work remains authentic and visionary while representative of contemporary times. We also feature important works from preceding generations of self-taught artists including Jon Serl, Bill Traylor and Emery Blagdon.

We show an eclectic selection of tribal art from all the major regions of the world focusing on the unusual and the formally surprising.

Another focus is on textiles of the world, including South East Asian costumes an textiles including tribal China, and Japanese Boros: futon covers made over a period of a hundred years from cotton patches and threads.

Our newest department is a developing interest in Contemporary ceramics both functional and non-functional. We are especially interested in the way ceramists push the envelope of traditional form sand cultures. We show Western ceramists as well as Japanese, Chinese and Korean work.

The common thread that connects all this art is its uniqueness, its integrity and authenticity, and its reflection of cultural home-ground. The Contemporary artists we represent extend the continuum established by the self-taught and Tribal artists into a new and exciting multi-tiered arena.”

This article explains it perfectly; ‘A Chelsea Double Feature; Paper Meets Clay On “Homeground’s” Turf’ by Edward M Gomez.

1977362_10207300528654376_2230692460964721983_n View the stunning Catalogue here.

 

Melanie Ferguson extra ordinary pots encompass the universe and lead you beyond your borders.

Melanie Ferguson extraordinary pots encompass the universe and lead you beyond your borders.

 

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Mitch Iburg‘s stunning pots leave me breathless with wonder.

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Mitch Iburg. All the mountains of the world are honoured here.

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Sarah Purvey ‘s pot in the for-ground of  the beautiful display at Cavin-Morris Gallery.

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Cavin-Morris Gallery, New York City, USA.

Cavin-Morris Gallery, New York City, USA.

Cavin-Morris Gallery, New York City, USA.

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Cavin-Morris Gallery, New York City, USA.

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Wyvern V, black ceramic, 26.7 x 50.8 x 25.4 cm. Rebecca Buck.

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Wyvern VIII, ceramic, 39 x 71 x 34 cm. Rebecca Buck.

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Up Is Down VI, ceramic, 20 x 49 x 31 cm.

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Leviathan VI, ceramic, 12.5 x 21 x 8 cm.

This is a selection of images taken by Cavin-Morris Gallery. Go to the Gallery site  to see more beautifully presented photographs of these Artist’s  pieces and the other astonishing work by the Artists represented by this exceptional Gallery. The links from each name here on this post will take you to more information about each Ceramist. I will add more images as I get them.

Sculpture by Rebecca Buck at Cavin-Morris Gallery, New York City, USA.

Sculpture by Rebecca Buck at Cavin-Morris Gallery, New York City, USA.

 

Studio Diary; The Landscape Project, part 6, Review so far…

It’s the end of the 1st year and time to take stock. You can see the earlier parts of the story via the Contents page. Click on any picture to see it full size.

Stephen Foote and I met up after 30 years. We were good friends as teenagers, both rather disengaged with school, both making art in our own time. 30 years on we both still use art work as a major part of our interaction with this nutty world. Sharing our images was a key way we got to know each other again and harnessing that process in a joint project was simply a way of capturing a what was occurring naturally. We set a straightforward ” Artist Responds to Landscape ” brief and kept a very open mind while we walked, talked, Steve took pictures and I just took it all in. We met every few months and sent each other pictures of the ensuing work in-between times.

Steve is also a Cameraman and was involved in filming for Panorama during the early, very heated phase in Kiev and the Crimea. I was coming to the end of the Up Is Down Series . Our first visit was Bracelet Bay, Mumbles, Swansea. Then we went into Porth Yr Ogof caves and had a mind-blowing day for me; we spent hours in the dark, natural cave while Steve took a fab series of photographs. I stood in the river in the darkness, held the lights and listened to the flow of water, felt the under-ground breezes. From there the project clarified for us as the travels of the water from the sky above the Brecon Beacons to the river, especially the Tawe, down to the wide bay at Swansea, and out into the Ocean where much of it will return to the clouds and begin the circle again.

These pictures are roughly in sequence for the progression of work over the last year with Steve’s Photos next to the related Sculptures.

Bracelet Bay , Stephen Foote.

Bracelet Bay , Stephen Foote.

Up Is Down- in progress

Up Is Down- in progress

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Up Is Down- in progress

Up Is Down- in progress

Up is Down IX, 57cm W,

Up is Down IX, 57cm W,

Stephen Foote; Dunes

Stephen Foote; Dunes

Bracelet Bay, Mumbles, Swansea by Steve Foote

Bracelet Bay, Mumbles, Swansea by Steve Foote

in progress, July 2014

in progress, July 2014

Bracelet Bay, Mumbles, Swansea by Steve Foote

Bracelet Bay, Mumbles, Swansea by Steve Foote

in progress August 2014

in progress August 2014

Bracelet Bay, Mumbles, Swansea by Steve Foote.

Bracelet Bay, Mumbles, Swansea by Steve Foote.

It was this fabulous picture that shifted me abruptly into figures, much to my own surprise.

Busts in progress, Aug 2014.

Busts in progress, Aug 2014.

Bracelet Bay, Mumbles, Swansea by Steve Foote

Bracelet Bay, Mumbles, Swansea by Steve Foote

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A narrative developed that was also influenced by the awesome storms of the previous winter. A trio of figures, the Guardians of the Aquasphere, the Lithosphere and the Atmosphere, arose and they and their Harbingers took on characteristics that the  many life-forms of the Biosphere could relate to so that all would understand what was happening; The Triumvirate were going to let loose their forces. This was not to threaten or  punish. They simply knew it was time.

 

Brecon Beacons, by Steve Foote.

Brecon Beacons, by Steve Foote.

OLYMPUS DIGITAL CAMERA The Atmosphere in the form of an Osprey.

 

Porth Yr Ogof Cave, Brecon Beacons, by Stephen Foote.2014

Porth Yr Ogof Cave, Brecon Beacons, by Stephen Foote.2014

 

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Guardian of the Atmosphere, The Osprey

 

The Wyvern and the Osprey, 2014.

The Wyvern and the Osprey, 2014.

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The Wyvern, Guardian of the Lithosphere.

 

 

 

Frame-works for The Wyvern IV and, in the back ground, The Leviathan.

Frame-works for The Wyvern IV and, in the back ground, The Leviathan.

The Lithosphere has The Wyvern, a dragon that has taken a number of forms so far.

The Leviathan in progress, Sept 2014.

The Leviathan in progress, Sept 2014.

The Wyvern and The  Leviathan. in progress, Sept 2014.

The Wyvern and The Leviathan. in progress, Sept 2014.

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The Wyvern.

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Bracelet Bay, Stephen Foote.

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The Wyvern.

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Bracelet Bay, Stephen Foote.

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The Wyvern.

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Osprey.

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Wyvern

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Leviathon

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OLYMPUS DIGITAL CAMERA Osprey.

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Leviathon

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Wyvern.

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Wyvern

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Wyvern

The Guardian of the Aquasphere took on the form of the Mountain Ponies that run free in the Beacons.OLYMPUS DIGITAL CAMERA _F148186 _F148023 _F148792 _F148797 OLYMPUS DIGITAL CAMERA   _F147964   OLYMPUS DIGITAL CAMERA OLYMPUS DIGITAL CAMERA _F148811   _F148835  _F148822   _F148837

It has been a fantastic year in the Studio; I am harnessing the narrative and collective sides of the monumental Community Sculptures of the last 13 years. But I’m free to use any scale. The architectural clays I use have given me the freedom to go anywhere in space. My amazing collection of Sculptor and Ceramist friends, from all over the world, on Facebook have encouraged and inspired me enormously. I’m settled into my lovely big Studio ( and gotten over the shock of having it at last!). Stephen and I communicate very well and we egg each other on.

Many thanks to everyone who has visited the work over this last 6 weeks and given invaluable advice and feed-back.I will continue with this series of sculptures until it is done.

We will start a new project focussing specifically on the passage of water from the mountains to the ocean along the  Tawe Valley. We are partnering with some Public art venues and setting up some Community participation to widen our perspective. We will  visit  a small Coal-mine and the Open-cast mine. Only a few years ago, on the 15th of September 2011, 4 men were killed in a dreadful accident at Gleision Colliery when their mine was inundated with water. Making the Pit Markers in Blaengarw, I heard about these type of accidents but, like everyone else, I never thought such a thing could happen here, in this century. From just below the Studio down-wards the River has an extra-ordinary history in the Industrial Revolution.

Neither of us have any idea where this will lead. We feel confident that we have something with substance and a great deal of potential and we have found a work-method that is productive and sustainable. I know from past projects that the community will come up with all sorts of treasures that will lead us into work that is far richer and more interesting than we would make alone. We will trade Workshops in photography and ceramics for input from community groups and individuals. It will be a fun process. We need images, stories, myths, legends,  history-including the ancient history and favourite,  special spots on the river or tributaries. Do get in touch if you would like to be involved in any way.

 

Studio Diary, The Landscape Project, part 1

Busts in progress, Aug 2014.

Busts in progress, Aug 2014.

Lots of changes, lots of layers.This is the main photo I am  focussing on; The sky, the land and the ocean and man’s presence – everything is integrated.

Bracelet Bay, Mumbles, Swansea by Steve Foote.

Bracelet Bay, Mumbles, Swansea, by Stephen Foote, 2014.

These 2 pictures and the experience of being in both these places is never far from my mind these days.

Porth Yr Ogof Cave, Brecon Beacons, by Stephen Foote.2014

Porth Yr Ogof Cave, Brecon Beacons, by Stephen Foote.2014

A narrative is emerging that involves the passage of water from the Beacons’ sky to the ocean at the bottom of the Swansea Valley. The Tawe River passes the Studio and the ground beneath us is full of  tunnels from the rivers and from mining. The Wyvern, a dragon with a wonderful mythology about guarding the treasures of the subterranean world entered the picture when I was heavily involved with the history of local Coal Mining and  the Pit Marker Sculptures and it is re-emerging here. OLYMPUS DIGITAL CAMERAThe next clay-armature is more specific now that I have a clearer idea of where I’m going.

3rd Bust armature in progress, Aug 2014.

3rd Bust armature in progress, Aug 2014.

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in progress, Aug 2014.

in progress, Aug 2014.

 

 

 

 

 

Powys Arts Month 2014, Open Studio and Garden Exhibition.

Osprey arts mo flyer

 

All over Powys in Mid Wales, UK,  Artists and Craftsmen are opening their Studios and putting on special events to share work. It is a great time to find someone whose style appeals to you and go ask them about projects of your own. We all love talking shop and encouraging others with their creativity. It is an excellent  event for Bargains as Artists spring-clean their Studios and admit it is time to part with secret favourites.

Osprey Studios is open every weekend in May or phone and book any  time that would be more convenient. Evenings are a tranquil, charming time in the Garden.

Everything in this section is under £30.

Everything in this section is under £30.

 

Osprey Studios. Easy parking and access.

Osprey Studios. Easy parking and access.

 

 

 

 

 

 

 

 

 

Some of the Sculpture is fresh from the Kiln and new work will be on the go in the Studio.

Some of the Sculpture is fresh from the Kiln and new work will be on the go in the Studio.

Beautiful Penpont ,half way between here and Brecon has an Arts Month site too and is a glorious place to visit. The ‘Visit The Studio’ page here on this site has other attractions, directions  and details for having a lovely day here in the south-western corner of the Brecon Beacons National Park.

You can show up on the day for my 2 workshops but booking in advance will secure your place.

You can get a feel for my best white clay, Scarva Architectural,on the Join-in Sculpture  which will be on the go all month and I’ll put out my Momentum wheel for anyone to try for free too.

A Join In Sculpture at Brecon Jazz with The Big Skill.

A Join In Sculpture at Brecon Jazz with The Big Skill.

The lovely kids visiting Osprey Studios with The Chernobyl Life Line trying out the Momentum Wheel

The lovely kids visiting Osprey Studios with The Chernobyl Life Line trying out the Momentum Wheel

On the 17th the wonderful Photographer, Stephen Foote (see links) that did my best pictures is coming here for anyone else needing top quality images at an affordable price. Everyone is welcome to visit on that day- it will be busy and very interesting to see Stephen Foote working in the Studio.

osprey photo sesion2,PAM 2014

I have had a massive clear-out; I’ve got a large Commission to build in the Studio. It will be on the go during Powys Arts Month and your feed-back during the build would be a great help. It is not going to be an easy one! I’ll have a lot of brand-new, never shown, work here. You can handle the range of  specialist clays I use to see if they might suit you. And there’s also some fab seconds  for sale including my Gwenllians.

Taken as a pair they will be just £500 or £300 each. Some of my other smaller seconds will be £1-£30. They are all frost proof.

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Gwenllian was an actual historical Welsh Warrior Princess. Both Sculptures of her are life-sized and fully frost-proof.

Gwenllian was an actual historical Welsh Warrior Princess. Both Sculptures of her are life-sized and fully frost-proof.

Everyone including Schools and Families will be  very welcome  to Osprey Studios during Powys Arts Month. You can relax in the Garden with a complimentary drink and the kids can play with clay for as long as you like.

 

 

Studio Diary April 15

Up Is Down- in progress

Up Is Down- in progress

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Not sure about the results yet; they will change hugely when they are fired apart from anything else, but the method is working. These pieces are built solid from layered different clays that all have the same shrinkage and firing temperature so they shouldn’t crack at the joins… IF the joins are good…The main form is done in one go,thick. Then, once it is firm enough a lot of extraction is done. This shows up the colours.

Up Is Down- in progress

Up Is Down- in progress

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

These are not meant to be portraits of rocks.  The pieces are meant to have implicit forces running through the form causing the curves and the form creating a flow to the forces – exactly what happens as the tide ebbs and flows through the stones at Bracelet Bay. The Sculptures are about us. (see earlier posts about Up is Down)

Up Is Down- in progress

Up Is Down- in progress

 

 

 

 

 

 

 

 

 

 

At last these are properly 360 sculptures! I turn them over and in every direction as I carve,focussing on getting that flow to run past and into the surfaces,up and down.

Tidying and polishing takes forever because of keeping the white clays clear. An old, rough e-cloth is very helpful just on the white areas, used dry.

Up Is Down- in progress

Up Is Down- in progress

 

 

 

 

 

Studio Diary 25 March 2014

Up Is Down is a fascinating theme that is leading down all kinds of roads. Only time will tell how many of them are very bad….a percentage of my work is regularly too awful to fire – that’s the price of experimenting and taking risks.

I’m working for a very creative Company in the USA involving fire. And I have started a collaboration with  Photographer Stephen Foote (see Links for his Web-site) Both of these projects are benefitting from the early work of Up Is Down and now they are leading it with the movement and pull of forces and the changes that leaves on a form.

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Music is still key. A central space for Fire  and the intension to have no

or little base is a starting

template for the clay-armatures.

 

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Steve and I visited Bracelet Bay in the Mumbles, Swansea,one of the first of many spectacular  beaches around the Gower Peninsula. It was a strange, foggy day, very atmospheric, with the Fog-horn sounding in the mist. The feeling of the draw and strength of tidal waters pulling through the forms of stone is accentuated by faces covered in barnacles and pebbles left behind.

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 Steves pictures will be the reference point for the next batch of Up Is Down pieces.

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The resulting Sculptures will then potentially inform his next set of Pictures. And so on until it runs out of steam.

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