Climate Change Gardening with a sense of purpose.

Found Gallery, the sensational new contemporary art gallery in Brecon, Wales has been complimenting the gorgeous exhibition, Found In The Garden with a series of talks. I was invited to have a conversation with the incomparably wonderful author and forager Adele Nozedar about Osprey Studios Sculpture Garden, (which has just been selected to be part of the National Garden Scheme for 2020) climate change and where this is taking my sculpture.
Punch Maughan and her kind, thoughtful Team made the beautifully lit, spacious gallery welcoming and comfortable with tea and delicious cakes. A lovely, really interesting mix of people came along and the discussion was fascinating, thought provoking and very helpful.
Osprey Studios is at the foot of Cribarth, The Sleeping Giant Mountain, in the extraordinary Fforest Fawr UNESCO Global Geopark.
Gardening to fit in with the wild-life in your region really makes a difference. In a wide open, often harsh environment like the Brecon Beacons offering shelter, homes and food counts. Artist/Gardeners Karin Mear and Nigel Evans at The Happy Gardeners know the area intimately and along with others in the group described the long, dramatic evolution of this land that reminds us that the Natural World changes constantly.
Cribarth creates a boundary that holds wild, harsh weather largely on this side of it’s ridge. Just over this horizon, less than quarter of a kilometre away, is Osprey Studios, protected in a much warmer, milder micro-climate with the southern face acting as a sun trap all year round.
Walking out due north from Cribarth across extraordinary geology laid down by a warm sea and then exposed again by glaciers.
Breconbeacons.org : “The carboniferous limestone of South Wales was formed in shallow tropical seas in the Paleozoic era, over 300 million years ago. Much of it is of organic origin, being the shells and skeletons of sea creatures, large and small. Amongst the most spectacular fossils to be seen in the National Park are Lithostrotion corals. Their intricate internal detail is often beautifully preserved.”
Half a kilometre due south is where the wonderful Nant Llech, a very import river in my work, meets the Tawe that runs down to the coast 20 miles away at Swansea. Further up stream is Henrhyd Falls.
Petrified Stigmaria – Lepidodendron (Scale Trees) Root structure. This tree went extinct about 250 million years ago, much of them decomposing into coal and oil.
Walking the Llech’s bed when the water was very low a few summers ago I started finding and collecting petrified wood and other fossils. This fabulous one is in a big boulder. It’s awesome to know that as the river rages even the big boulders are washed down stream and might never be seen again.
Indefenceofplants.com: “As atmospheric CO2 levels plummeted and continents continued to shift, the climate was growing more and more seasonal. This was bad news for the scale trees. All evidence suggests that they were not capable of keeping up with the changes that they themselves had a big part in bringing about. By the end of the Carboniferous, Earth had dipped into an ice age. Earth’s new climate regime appeared to be too much for the scale trees to handle and they were driven to extinction. The world they left behind was primed and ready for new players. The Permian would see a whole new set of plants take over the land and would set the stage for even more terrestrial life to explode onto the scene.
It is amazing to think that we owe much of our industrialised society to scale trees whose leaves captured CO2 and turned it into usable carbon so many millions of years ago. It seems oddly fitting that, thanks to us, scale trees are once again changing Earth’s climate. As we continue to pump Carboniferous CO2 into our atmosphere, one must stop to ask themselves which dominant organisms are most at risk from all of this recent climate change? “
The wet meadow behind Osprey Studios sculpture garden. The hedgehog hotel is here too.

So the earth has changed drastically many times. You feel close to that here in the Brecon Beacons. It has all lead to the beautiful natural world that we know now and that we thought we could control and keep as ours…
This new, massive Climate Change and mass extinction is happening with devastating speed and we understand it: there is no way to sugar-coat it, it is our doing. We can predict what course it is likely to take and plan…
Humans are not innately destructive. Like many cooperative species that live in communities we are very busy. VERY busy…And that busyness can be turned towards cleaning up a lot of this mess.
Will our entirely justified grief, guilt and anger eclipse the beauty, joy and wonder that is still here feeding and sustaining us? Will despair fracture our communities and render everyone helpless and vulnerable? Except for those few profiteers who don’t or can’t care?
Believing we are a toxic force ruining everything we touch is a great excuse to do nothing. But we owe our fellows in the natural world better than that.
Leviathan II, 2015, 53cm H x 79cm L x 36cm D, ceramic.
Watching and re-watching geologist and fabulous educator Dr Iain Stewart‘s programs has helped me get my head around it and that lead to the ongoing Throwdown at the Hoedown Series which has just reached one of those turning points and I have been unsure what comes next. The discussion lead to this:
Eleanor Greenwood (who takes some of the most incredible photographs of this area which she knows extremely well): “My final thing that I wanted to say is that we are coming full circle back to the realisation that we are all nature. Our thinking that we are separate has hurt us in more ways than we realise. Your work is a big clear pointer back to that unity. There is sacredness and magic everywhere and you manifest it. I really enjoyed this eve and thank you for making me see climate change in a different light.”
Flabbergasted/very grateful me: “You are exactly right! And I think you have pinpointed the missing piece that I couldn’t see; the spheres, for want of a better term, are reaching out to us, taking forms we can relate to, but what are they saying? That!! Perhaps it’s just that…return to us while you still can….”
Gardens so often bring us together for the conversations that make all the difference.
Guardian of the Biosphere. The interior of this sculpture has spaces for wild-life to live.
Developing my garden over 9 years from a plain lawn with some old hard features like the cement paths and patio and the deteriorating wooden stable has also changed my thinking enormously. I first put in lupins and flowers and it was beautiful! No-one was more delighted and impressed than the slugs from the meadow at the end of the garden. After one, terrible, battle with them I saw this was not the fight I was willing to take on.
Joining forces with the rest of nature we can share the challenges of Climate Change. You can grow food to share with the other people in your community of wildlife and human neighbours, right down to those in the soil. The garden here is now full of fruit trees, bushes, a variety of strawberries, local wild flowers (slug-proof, bee/bug friendly, beautiful) and cultivated plants that can co-exist happily. Most of the grass has gone and now there is flowering low ground-cover, like cranberries.
There are lots of bird-feeders. And compost bins. You start feel like part of the solution and bit less like part of the problem. We can’t stop the change. But we can make amends as best as we can and ride the wave with grace.
All of nature has always had those who’s role is taking risks; trying out new habitats or times to flower, grow, mate or migrate. It seems very fair that we should make safe spaces for them and help with food and shelter if we can. Forestry Studies have found trees have been migrating in new directions for 50 years. One of my blueberries put out a few flowers this autumn, testing the chances…
This beautiful Acer was a special present to my self for being unexpectedly brave during one of those events that sharpen one’s appreciation of life. Our gardens can become a record of what matters most to us. It then taught me about choosing the right spot and not being afraid or reluctant to move unhappy plants. Or to give unusual plants a chance to make their home here.
Here’s a fabulous bit of drama and a tribute to the tropical past. And future? Changes in the Gulf Stream and other currents are happening now and it’s not clear what the implications are for the western UK. Right now it’s amazing that such a plant will grow here. (I transplanted the Torbay Palm across the garden from a hanging basket thinking it was a grass! It’s 6 metres high now and growing fast!) The interaction with the wild flowers is beautiful : this palm provides support and shelter all year round to a very long-stemmed wild flower that all sorts of insects adore on the edge of the pond. Gardening gets you looking to the future. Slow growing, long lived plants expect to face challenges and can be extraordinarily adaptable which is very inspiring.
Across the meadow at the end of the garden you can see the stand of huge Ash trees on the lower slope of Cribarth that have succumbed to Ash Die-Back. They have started to fall causing a landslip on the edge of a mountain stream and creating a beautiful new waterfall. After heavy rains the water has chosen a new route leading right to where a drainage ditch passes our gate and giving our patch a new shallow pond which fills with tadpoles and sustains other creatures. A few miles east another group of Ash are being watched because they seem to be immune to Die-back.
The movement of water is absolutely key.
This shady corner is full of wild life. All the sculpture plinths are hollow and provide homes for all sorts of people. The ground is always damp and often very wet. Just behind the sculpture is an apple, a pear and some blueberries bushes planted close together like I’ve seen in the woods by the river. They didn’t look too happy at first but a few years on they are taking off and I’m assuming that is because they have befriended each other underground. I had read that if you need a continuous supply over the season rather than big crops then close, varied planting is a good idea. Raspberries love this spot so I weed them out occasionally. A variety of cranberry plants have definitely taken and are quietly spreading among strawberries and various wild ground cover which I clear back sometimes to favour the cranberries but I get the impression they like the company. Everything seems happier with lots of other plants around them. Even my house plants do way better in mixed pots.
Anything cleared out of or from the edge of the pond is left on the side for a few days or tucked into the near-by bed so creepy crawlies can get back to the water.

We started the garden when we moved here in October 2010 with beds marked out with old carpet from the house left over winter and the pond put in the following spring, as recommended. I was so proud watching my sons dig it and it gave me some insight into the ground: 60cms of lovely dark soil down and then clay and big stones. We put in a good, flexible liner and two oxygenator plants and mini water lily. In no time at all it was full of life. Lots of newts, frogs, toads, dragon flies, water-snails (how?!), all sorts. Between them, the hedgehogs, birds and the huge predatory slugs the plant eating slug numbers have begun to balance to the point where the invaluable work they do for the soil offsets limiting what I can plant. Just like they promise on Gardener’s World.
Rae Gervis is an expert gardener growing extraordinary vegetables at Ty Mawr near Brecon. Every week you can order seasonal vegetables from them. Rae had no trouble persuading me not to dig my soil. But I hadn’t expected the results to be so good.
Rae explained: “Soil is the foundation of all life so needs to be nurtured. Soil vitality & biodiversity needs to be protected. Worms and other micro & macro-biota distribute air, water & nutrients far more efficiently & effectively than man can through digging. Mulch with any organic material, preferably well rotted. Soil is then insulated & protected from the elements. Slugs are a good food source for many animals including hedgehogs & they do break down organic matter making it available as nutrients in the soil.”
Building and fencing materials tends to involve horrendously un-green production methods. So we use recycled stuff and make things last where ever we can. The old fence enclosing what was a little pony-yard leading out to the meadow is rotting so I’ve woven a cotoneaster around it to replace it with a living fence which is now much higher and covered in berries. I had found the plant in a container in the hot front garden looking small and wretched when we moved in and I had no idea what to do with it. I plonked it in a stony hole and apologised. It has grown so fast!! Weaving it into flowing shapes is extremely fun.
This area is a cabin and patio now. Before it was a stable, before that a fabulous green house. I would love to pave it but it would be daft, wasteful and the layers of history would be lost. The old cement ground is worn and the mosses soften the look of it so I encourage them instead. Same with the rather rigid cement paths and patio by the house.
Evergreens are gorgeous all year and great for the front garden. And now it’s important to have flowering and/or fruiting plants and ever-green shelter for the creatures that may end up out and confused in mild winter spells. And the arriving refugees.
There are berries at the lower levels, strawberries, raspberries, black currants and gooseberries. Now that it’s moister I might move some of the cranberry’s runners here.
I let all this grow in to see what it would do (ie drop dead?) and I don’t mind admitting I wasn’t expecting it to be so lush! Recently we put in supports and some structure to the look of it.
It was just a nice front lawn with a small brick patio 9 years ago. It got way too hot and very dry out here in the summer and so did the rooms on this side of the house. The paint was fried and falling off the render. A number of my neighbours were having to replace their blistered render at the time so we decided we had better strip off the old paint and re-do it. In the back was a big virginia creeper and the old paint under it was in much better condition!
Now the house is cool and comfortable all year round. The soil stays moist and I leave the falling leaves which quickly disappear into the ground thanks to the healthy wild-life. There are toads and lots of birds. Some are even nesting, glad that the street deters predators. I also find the sense of shelter very comforting.
This is the front patio which I never used before because it was broiling hot. The french doors lead into the Studio where I had to protect sculptures in progress from the heat. Now the vines form a roof and the light falling through it is exquisite. The purple-leafed grape vine stated clearly that it was ornamental and would not fruit but it does! There is jasmine, wisteria, roses, and an ever-green clematis amongst others so it changes and has beautiful scent.
Sweeping regularly keeps the weeds out from between the bricks and gives me a good excuse to go out there and revel in it. There is no joy to be had from herbicides and pesticides.
The parking area is really useful but I don’t miss not being able to see it. I’m building up a brush-pile in this corner for anyone who likes living in it and there is a small water feature here. I’m introducing a range of ground cover plants. Next year I hope to experiment with vegetables in movable pots on wheels on the driveway where I can separate them from the slug’s territory.
Gardening with a sense of purpose.
We are coming full circle back to the realisation that we are all nature. Our thinking that we are separate has hurt us in more ways than we realise.
We are being called to turn back to our natural world while we still can.
When all’s said and done it’s about Community.
Sharing with all our fellows, all the neighbours, great and small, wether we like them much or not, because we need each other. A garden reaches out from your home as much as it sets a boundary or shelters it. It creates links and bonds.
Gardening is a gentle, patient, subtle weapon in a battle we are better off for fighting. Our gardens become a record of, and a contribution to, what matters most to us.

Studio Diary: The Marking Time Sculpture at Bronllys Hospital, Powys, part 9.

The Installation.

I was really lucky to be working with the wonderful, resourceful, ingenious Gareth Ellis from Green Valleys. He has the patients of a saint. The writer Mark Christmas gave a huge amount of time and hard labour in addition to his years-long dedication to this project and this poem which will be set at the entrance to the woodland walk:

                                                                                        Catching a Moment

                                                                                               Within these woods

                                                                                       there is a breath to be found

                                                                               to ease new life into sight and sound

                                                                           transforming our world and how we see

                                                                           each branch, each twig, each living tree

                                                                                   so when the hurt inside we feel

                                                                               creates distraction with no appeal

                                                                        take a walk on this path to find this rhyme

                                                                            you will no longer be ‘Marking Time.’

                                                                                                                   Mark Christmas, 2015.

                                                                                                                   Dedicated to those who understand.

Because vehicles could not pull up to the site, the budget was tight (having been well squeezed by this point as is my habit!) and we couldn’t be too sure who would be able to join us we used a slightly different installation method than in previous sculptures.

We fixed the triangle of heavy railway sleepers securely, dug down 20 cms and then packed in hollow breeze blocks.

The first sections were put in place using the paper template of the mosaic and corner tiles, steel rebars hammered down through the sections and well into the ground and then post-crete was poured into all available gaps and half way up inside the first 3 sculpture sections.

Gareth Ellis and Mark Christmas. Marking Time, Bronllys Hospital, Powys.

The second sections were braced in place using blocks/ wood/ prayers, rebars set, post-crete poured.

Mark Christmas working on the Marking Time Sculpture, Bronllys Hospital, Powys.

The mosaic was built in the studio in 3 sections to aid handling and set securely in place with concrete going right down into the breeze block hollows. The mosaic tiles and the triangle corner-tiles were beautifully made by pupils in Ross Bennett’s Art Department at Llandrindod High School.

Marking Time, Bronllys Hospital, Powys.

Me adding the finishing touches to the mosaic, Marking Time, Bronllys Hospital, Powys.

Mark Christmas brought in poet Emma nan Woerkom to take some lovely photos and create this beautiful poem that has been cut in brass for the site.

Marking Time, Bronllys Hospital, Powys.

All the visible cement (pointing etc) was done with a white cement/gold sand mix that matches the fired colour of the Scarva ES50 clay perfectly. On the floor we topped it with light brown flint chippings and extra, handmade blue mosaic tiles and glass to soften the edge of the mosaic.

Marking Time, Bronllys Hospital, Powys.

Finishing touches on the sculpture were done with Milliput and the golden cement.

Marking Time, Bronllys Hospital, Powys.

Mick Farell has been a key part of this project and he was wonderfully supportive during the installation. His enchanting poem, written especially for the sculpture completes the triangle.

                                                                                               We are the child of nevermind

                                                                                             Who, finding dreams lost, unfind

                                                                                      Who, wandering, walking paths unknown

                                                                                               to find a woodland overgrown

                                                                                           And seeing in that woodland Glen

                                                                                              The happy minds of nevermen

                                                                                           Who elfin laughter laughly speak

                                                                                             Of how we humans keenly seek

                                                                                               Some new haven overhewn

                                                                                               And child stars of the moon

                                                                                                                                           Mick Farrell, 2016.

The poem tiles were made by the same fabulous pupils at Mount Street Junior School that developed the theme with me last year ( see Part 1)They are fixed to the sleepers with tile adhesive and screws.

We have spent a great deal of time on this one and it has been worth it. The Team have been a joy to work with and the whole woodland site looks really beautiful. Gareth Ellis and Mick Farrell will put in the benches and place and secure some tree-trunk logs. This is going to be such a calming, peaceful place for people involved with the Hospital to rest and revive.

                              

 

Studio Diary: The Marking Time Sculpture at Bronllys Hospital, Powys, part 8.

The cut sections had a slow dry for a month and the last 6 weeks in a tent with the dehumidifier. Water is still collecting!! Soon I’m going to have to start the firing. But if the sections are still damp they will explode into a trillion smithereens….

 

Rebecca Buck, Osprey Studios.

 

The letter tiles look great.

Rebecca Buck, Osprey Studios.

Studio Diary: The Marking Time Sculpture at Bronllys Hospital, Powys.part 2.

Marking Time Scale Model 1

Marking Time Scale Model 1

It has been a really good Consultation period. Everyone has been very open and generous with their time and thoughts, even when it was very difficult for them to do so.

The models, figures, benches and bases shown are all to scale. The full sized versions would have more texture/detail and the benches would be a metre further away.

We identified our primary audience as the people using, visiting or working at Bronllys Hospital. The overall impression/feel of the sculpture should be up-lifting and hopeful to support those who are ‘marking time’ in  stressful circumstances.

“The sculpture should have an aura of peace that will not interfere with the person’s unique moment”

“…so people can sit down and stay calm and feel safe.”

” In the discipline of Marking Time and manoeuvres like that, vulnerable people can find structure for their chaotic lives.”

” Marking Time is marching on the spot, keeping the beat, keeping in step with the group, in readiness to move onto the next task.”

And this triangle is the spot where the Marking Time Sculpture will go. There will be comfortable benches set in place so visitors, patients and staff have a tranquil place to sit and get a break from the often over-whelming activity in the Hospital.

And this triangle is the spot where the Marking Time Sculpture will go. There will be comfortable benches set in place so visitors, patients and staff have a tranquil place to sit and get a break from the often over-whelming activity in the Hospital.

The children at Mount Street Junior School felt it was important to help the Servicemen and women to forget and to ease them back into civilian life with games, walks, sports and domestic routines. The Ex- Servicemen and women agreed that humour and a sense of playfulness were key in allowing them not to forget but to learn to feel again. Military training is, by necessity, dehumanising:

“Dehumanised Soldiers find it hard to play nicely…”

“Snowball fighting can be more fun than real fighting because nobody gets hurt.”

The children agreed that ” The Soldiers need a bridge for when they come back to their families from the War.”

Many Servicemen are adolescents when they join-up and  their training replaces the natural pace of growing up. They cannot contextualise the shocks they are exposed to.

Marking Time Scale Model 1

Marking Time Scale Model 1. Bird forms in many sizes creating movement around the central space. 160cm H.(incls base).

Marking Time Scale Model 2

Marking Time Scale Model 2. Bird forms with a patterned texture suggested. 1metre high from the ground.

So: a sculpture with a narrative that releases the imagination, shows protectiveness and how the burden of being fierce and brave is shared and eased by those, of all sizes, being protected.

Marking Time Scale Model 3

Marking Time Scale Model 3. Three bird-forms.180cm H (incls base).

“A flowing circle, the movement of life, love, hope and promise will draw you in and guide you to change.”

Marking Time Scale Model 3

Marking Time Scale Model 3

Marking Time Scale Model 3

Marking Time Scale Model 3

“Regrets, we all have them. You need Hope to manage them.”

“Ephemeral, shadow-like.” ” A dragon in the mist.” “Inter-weaving the real and the etherial, making them equal.” ” Dragon of protection, Bird of hope.” “Intertwined spirals” “Water represents calm and peace. Flowers represent beauty. Dragon represents protection.” “…and a mystical Dragon and a moat with 3 piranhas.”

Marking Time Scale Model 4

Marking Time Scale Model 4

                                                  “The Bronllys Dragon by Ben,aged 8.

             Once upon a time there was a Dragon called Yddraig Goch. He would guard the Castle day to night until one day the Gorgan Maduser came. She looked the dragon in his eye but Yddraig Goch was quick as lightening to fly away. Yddraig Goch flew to the Military and perched on the roof. The army heard a thump on the roof and found Yddraig Goch, the Welsh Dragon.

                                               “Shoot him” said Ian. “I am ready, Sir”

                                                         “Wait!”said the Captain.

                                                         “What?!” said the army.

                                               “It’s Yddraig Goch, Lets make friends.”

              “What, with a Dragon?”  “Yes! Maybe he can help us against the other armies.”

Marking Time Scale Model 4

Marking Time Scale Model 4

 

The triangle base and the use of 3s has multiple significances in the Military, where groups are divided into 3 parts throughout it’s structure starting with Army/Airforce/Navy. Celtic and Christian symbolism is over-flowing with 3s.

Linked to the triangle is the heart shape, despite its over-use, still a “powerful symbol of the strongest emotion, the one that triumphs over all others.”

 

Marking Time Scale Model 4

Marking Time Scale Model 4

In Wales the Dragon is an especially potent icon representing the Land and bravery. The Red Kite is the Welsh National Bird and the symbol of Powys. Red Kites live separately but hunt and feed collectively when ever they can. They have an ordered community and share food and protect each other. After nearly going extinct in the UK due to cruelty and stupidity, their recovery has been brought about by the protection from a better society. Breeding from the surviving Welsh Kites, their numbers are growing: like the phoenix rising from the ashes.

For each version of the Sculpture: The Mosaic Base.

            The base of the sculpture will raise slightly in the centre of the triangle. A mosaic of good sized tiles of many shapes, with images and words about what makes up a strong Community, made with Mount Street Juniors and the A-Level students in Llandrindod Wells and beautiful, and vivid glass pebbles will be set in swirling lines with the most colour in the centre representing souls, ideals, that which is vulnerable and precious. 

The colours are blues/greens/yellows.

In the corners of the triangle will be set large tiles with ‘Accept the Past’, ‘Trust the Present’ and Faith in the Future’ and celtic knot-work carved on them.

 Assessment:

I don’t recommend Models 1-3. They are lovely in themselves but don’t quite hit the mark. They have been useful transitionary pieces.

Model 4:

The dragon’s expression will be extremely gentle and caring. The birds, of all sizes and types but mostly red kites will soar out from the centre. They will have a softness to their lines. They will support, encourage and assist the benevolent dragon, their wings working with his.

The max height (including base) is 180cm. Width: 150cm. Depth: 180cm.

The form has lightness and movement but is actually very strong and safe in all the ways discussed.

There will be many view-points of the mosaic.

The full sized version will have expressive textures and many more birds than could be put on a small model. It will be a very complex build and I am happy to add voluntary hours to the budget and time-line in order to complete this challenging piece because I believe it will be very beautiful.

Model 4 uses the consultation resources and our intended outcomes to the best effect. I feel everyone who contributed will be very pleased and will be able to see that their work is included.

 

Model 5: This is a condensed version of Model 4. It has the best of Model 4 and it adds the iconic local sky-line of Pen y fan mountain in the near-by Brecon Beacons. The Kite is now powerful enough to bring a sense of guardian angel to the mix. The Dragon and the Kite interact to create an embrace around the centre of a richly coloured mosaic of glass pebbles and hand-made and decorated tiles in shades of blue and green that swirl outwards from the centre. It has 3 points connecting it to the ground. There are 2 holes through the form.

Marking Time, Bronllys Hospital, Scale Model 5.

Marking Time, Bronllys Hospital, Scale Model 5.

Marking Time, Bronllys Hospital, Scale Model 5.

Marking Time, Bronllys Hospital, Scale Model 5.

Marking Time, Bronllys Hospital, Scale Model 5.

Marking Time, Bronllys Hospital, Scale Model 5.

 

The max height (including base) is 180cm. Width: 150cm. Depth: 180cm.

The form will not get cluttered with leaves in the way that Model 4 will in this woodland site. Model 5 will age gracefully with out looking neglected. It is sturdy and safe while retaining the flowing movement.

Update, 5/3/16

To keep within the Budget we need to reduce the size of the foundation.

Model 6 is based very much on Model 5 but it is divided into 3 sections which has lead to some interesting and lovely developments in the forms. The sense of the protective, sheltering embrace is still clear but there is more movement and echoes of bird-forms. The dragon’s head is moved into the centre adding to the protective feel and this enhances the over-all silhouette.

The dimensions are the same. I have added to the base-line so that the 3 forms are self-supporting to ease strain on the small foundations.  When the sculpture was a single form it supported itself from tipping over. But the weight was all standing on 3 small points that would have put a lot of strain on a small foundation. The 3 sections allow some ‘give’ as the sculpture settles on the site.

This model is not as neatly finished as Model 5: don’t let that distract you. I will use both models during the build.

Marking Time Model 6.

Marking Time Model 6.

 

Marking Time Model 6.

Marking Time Model 6.

Marking Time Model 6.

Marking Time Model 6.

Marking Time Model 6.

Marking Time Model 6.

Marking Time Model 6.

Marking Time Model 6.

The foundation will have 3 parts linked by a reinforcement-bar grid. Hard-core will form a small rise towards the centre. The mosaic will be set into hand-made cement paving slabs made at Osprey Studios. This will give more time to the layout of the mosaic and the results will be better than setting them onsite. It will save the surprisingly large cost of Out-door Tile Adhesive.

This is a good set of solutions with a lot gained and nothing lost except the costs of a large, poured foundation. It does create a lot more work for the sculpture-build but I am willing to take that on: it will be satisfyingly challenging.

Winter Garden

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I spend as much time gazing into the garden in winter as I do in summer. I have a lot of bird feeders and I never tire of watching the birds. The Sculptures give the garden structure and a bit of drama, especially in winter.

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I test pieces out to see how they look in the different light of the changing seasons. I know they are all completely weather-proof but it is reassuring to put them up against the harsh Brecon Beacons winter.

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This slightly crazy looking Harbinger was a technical test piece that got exploded into smithereens  subsequently giving me the opportunity to test some fixing-materials. Like all the sculptures it is hollow and I hope Bees might take it over. It is 130 cm  high and stands straight on the earth. If a piece needs raising up I try and make the plinths double up as toad or hedgehog homes. It’s working because I have both living here and almost no problems with slugs at all! These days I add holes and spaces in all my sculptures for insects to rest in and my garden is always full of bees , especially Bumble Bees. OLYMPUS DIGITAL CAMERA

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Studio Diary, The Tumble Commission Finale.

The Celebration Day at Gwalia Mynydd Mawr, 5 November 2014

The Celebration Day at Gwalia Mynydd Mawr, 5 November 2014

A perfect , clear blue day for the un-veiling of the Sculpture and a celebration of the whole Project and all the lovely, dedicated people who were involved from Arts Care Gofal Celf, Gwalia, the Primary schools in the area and the extraordinary Staff and Residents at Gwalia Mynydd Mawr.

The video here describes the whole project:

 

Mynydd Mawr Courtyard Sculpture, 2m h x 190cm w, 2014.

Mynydd Mawr Courtyard Sculpture, 2m h x 190cm w, 2014.

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Sculpture in the Garden

_F147690A Sculpture will transform any Garden, huge or pocket-sized, elaborate or austere. It will need to be made of beautiful, quality materials that have a radiance complimentary to your gorgeous plants. A piece needs to be frost-proof and easily cleaned. No material is as durable or as low maintenance as high-fired Clay.

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I make simple , movable plinths with old bricks and attractive stone paving tiles. Dig a hole and put in some bricks to make a foundation if the Sculpture is tall or very heavy, then build a hollow plinth with a small doorway that can double as a safe, cosy home for wild-life. If security is an issue or the piece is tall and vulnerable to high winds sink a stake into the ground, build the plinth around this and have the stake go into the Sculpture- many of my Sculptures are hollow and you can set them securely with cement if needs be.IMG_20190504_175930057My garden is 8 years old and is now really coming into it’s own. IMG_20190328_105048782IMG_20190504_180149583

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The River, commission.

The River, commission.

Wyvern II, 70cm H x 52cm W. £850.

Wyvern II, 70cm H x 52cm W. £1100. (sold)

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Up is Down XV, £300 (sold)

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Harbinger I, £600. (sold)

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Up is Down XVI, 26cm H x 56cm L, £300.

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Up is Down II, 42cm H x 90cm L, £950.

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Half a Century III, 40cm H, £150.(sold)

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Some of the Sculpture is fresh from the Kiln and new work will be on the go in the Studio.

River Harbinger, 125cm H, £950

River Harbinger, at Wyndcliffe Court Sculpture Garden, 125cm H, £950 (sold)

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The River III, 80cm H, £500

The River III, 80cm H, £500 Sold

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The Edge III, 57cm H, £600, (sold).

I freely admit I spend countless hours staring into the pond ''thinking''...there are Newts !!

Callipygous, 41cm H x 73cm L, £600.

Callipygous, 41cm H x 73cm L, £600. (sold)

In the winter sculptures give the garden focal points and structure while the plants rest.

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Up is Down IV, 44cm H x 58cm L, £2400 (sold)

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Up is Down II, 80cm L, £300

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Harbinger I, £600. (sold)

The Garden backs right onto the wonderful country-side of the Brecon Beacons National Park

Osprey Studios Garden backs right onto the wonderful country-side of the Brecon Beacons National Park

Sculptures will define each area of your garden. This patio at the end of the garden is a calm, reflective place with dappled shade in the summer and warm sun in spring and autumn. In the winter the sculpture stands out and is eye catching from the house.

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Up is Down II, 41cm H x 80cm L, £300.

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Musings, 21cm H, £150. (sold)

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Musings, 20cm H, £150.(sold)

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The Edge XI, 77cm L x 49cm H, £300

The Edge I , 52cm H, £730.(sold)

The Edge I , 52cm H, £730.(sold)

The Edge XII, 71.5cm L x 46.5cm H x 40cm D.

The Edge XII, 71.5cm L x 46.5cm H x 40cm D. £1400 (sold)

The Edge XI, 77cm L x 49cm H x 40cm D.

The Edge XI, 77cm L x 49cm H x 40cm D. £300