Pennard Primary Lead Creatives Project, part 4.

I am proud to say we have poured our hearts into this marvellous project. The amazing pupils, their awesome teacher Miss Bygate, the extraordinary Head Ms Hanson and all the dedicated, kind,  thoughtful and very patient support staff were willing to really go for it and gave us all the encouragement and back-up we could possibly need.

The book we made: The People Of The Throne.

The final draft of the story The People of the Throne written by Pennard Primary School year 5, 2017, pupils and Daniel J Buck.

Hidden with in this old business text book is the record of the whole project. Read Daniel’s description of the project from a writer’s view-point here.

A great boost to have this kind and friendly Volunteer come along and rake over the foundation while we set the sections in place.

The People of the Throne sculpture unveiled!

After Headmistress Ms Hanson’s really lovely introduction Daniel read out some of the story

The moment we have been working for! A nod from Ms Hanson and this sculptural playform is covered in excited kids at last!

The pupils wonderful art work about what their character was doing during the story is set well into the coloured cement to protect it from play activity. This has given it a mysterious, ancient quality, like revealed carvings of a disappeared civilisation.

During the design phase the pupils were clear that they wanted the sculpture to inspire other children to make their own stories. There are tunnels and hidden places.

The sculpture is set facing the rising sun in a circle of established young deciduous trees, across from a big ground-work playform castle in the far corner of the huge play-ground at Pennard Primary School. This area is often used as an outdoor classroom and is a wonderful, magical, sheltered spot for free imaginative play.

Rebecca Buck Osprey Studios

In the background, ever ready to step in and help is Hugh Blackwood, the school caretaker and artist who makes beautiful jewellery. He was invaluable during the installation, an out-standing assistant.

It was a joy to see this amazing group again, show them their book and talk about their new ideas.

The extraordinary Headmistress, Ms Hanson and some of her very proud pupils.

The Throne, Pennard Primary School, Pennard, Gower, Wales, UK. By Osprey Studios and Pennard Year 5 2017.

Year 5 had made us a fabulous card with drawings of each character.

Kind, beautiful, creative and very dedicated Miss Bygate with her fabulous class and Daniel on the sculpture they have made with Osprey Studios for every future generation at their school.

The Throne, Pennard Primary School, Pennard, Gower, Wales, UK. By Osprey Studios and Pennard Year 5 2017.

The Throne, Pennard Primary School, Pennard, Gower, Wales, UK. By Osprey Studios and Pennard Year 5 2017.

The Throne, Pennard Primary School, Pennard, Gower, Wales, UK. By Osprey Studios and Pennard Year 5 2017.

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Pennard Primary Lead Creatives Project, part 3.

The upper part of Pennard Primary School’s sculpture is complete, cut into sections and drying. It has been a joy to build. The pupils panels and tiles for the lower half are drying beautifully. I’m putting together the Book now and it’s lovely to review the wonderful time we had with this fabulous group.

Studio Diary: The Marking Time Sculpture at Bronllys Hospital, Powys, part 9.

The Installation.

I was really lucky to be working with the wonderful, resourceful, ingenious Gareth Ellis from Green Valleys. He has the patients of a saint. The writer Mark Christmas gave a huge amount of time and hard labour in addition to his years-long dedication to this project and this poem which will be set at the entrance to the woodland walk:

                                                                                        Catching a Moment

                                                                                               Within these woods

                                                                                       there is a breath to be found

                                                                               to ease new life into sight and sound

                                                                           transforming our world and how we see

                                                                           each branch, each twig, each living tree

                                                                                   so when the hurt inside we feel

                                                                               creates distraction with no appeal

                                                                        take a walk on this path to find this rhyme

                                                                            you will no longer be ‘Marking Time.’

                                                                                                                   Mark Christmas, 2015.

                                                                                                                   Dedicated to those who understand.

Because vehicles could not pull up to the site, the budget was tight (having been well squeezed by this point as is my habit!) and we couldn’t be too sure who would be able to join us we used a slightly different installation method than in previous sculptures.

We fixed the triangle of heavy railway sleepers securely, dug down 20 cms and then packed in hollow breeze blocks.

The first sections were put in place using the paper template of the mosaic and corner tiles, steel rebars hammered down through the sections and well into the ground and then post-crete was poured into all available gaps and half way up inside the first 3 sculpture sections.

Gareth Ellis and Mark Christmas. Marking Time, Bronllys Hospital, Powys.

The second sections were braced in place using blocks/ wood/ prayers, rebars set, post-crete poured.

Mark Christmas working on the Marking Time Sculpture, Bronllys Hospital, Powys.

The mosaic was built in the studio in 3 sections to aid handling and set securely in place with concrete going right down into the breeze block hollows. The mosaic tiles and the triangle corner-tiles were beautifully made by pupils in Ross Bennett’s Art Department at Llandrindod High School.

Marking Time, Bronllys Hospital, Powys.

Me adding the finishing touches to the mosaic, Marking Time, Bronllys Hospital, Powys.

Mark Christmas brought in poet Emma nan Woerkom to take some lovely photos and create this beautiful poem that has been cut in brass for the site.

Marking Time, Bronllys Hospital, Powys.

All the visible cement (pointing etc) was done with a white cement/gold sand mix that matches the fired colour of the Scarva ES50 clay perfectly. On the floor we topped it with light brown flint chippings and extra, handmade blue mosaic tiles and glass to soften the edge of the mosaic.

Marking Time, Bronllys Hospital, Powys.

Finishing touches on the sculpture were done with Milliput and the golden cement.

Marking Time, Bronllys Hospital, Powys.

Mick Farell has been a key part of this project and he was wonderfully supportive during the installation. His enchanting poem, written especially for the sculpture completes the triangle.

                                                                                               We are the child of nevermind

                                                                                             Who, finding dreams lost, unfind

                                                                                      Who, wandering, walking paths unknown

                                                                                               to find a woodland overgrown

                                                                                           And seeing in that woodland Glen

                                                                                              The happy minds of nevermen

                                                                                           Who elfin laughter laughly speak

                                                                                             Of how we humans keenly seek

                                                                                               Some new haven overhewn

                                                                                               And child stars of the moon

                                                                                                                                           Mick Farrell, 2016.

The poem tiles were made by the same fabulous pupils at Mount Street Junior School that developed the theme with me last year ( see Part 1)They are fixed to the sleepers with tile adhesive and screws.

We have spent a great deal of time on this one and it has been worth it. The Team have been a joy to work with and the whole woodland site looks really beautiful. Gareth Ellis and Mick Farrell will put in the benches and place and secure some tree-trunk logs. This is going to be such a calming, peaceful place for people involved with the Hospital to rest and revive.

                              

 

Studio Diary: The Marking Time Sculpture at Bronllys Hospital, Powys, part 8.

The cut sections had a slow dry for a month and the last 6 weeks in a tent with the dehumidifier. Water is still collecting!! Soon I’m going to have to start the firing. But if the sections are still damp they will explode into a trillion smithereens….

 

Rebecca Buck, Osprey Studios.

 

The letter tiles look great.

Rebecca Buck, Osprey Studios.

Studio Diary: The Marking Time Sculpture at Bronllys Hospital, Powys.part 6.

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Things are progressing really well. The intense texture, which will look great in the woodland light, is developing  strong patterns and as the curves get tightened up there is lots of flowing movement.

 

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The birds head is done and the dragon’s is getting there. The main thing, a powerful embrace,  is there and when the blue mosaic is in place in the centre it will look enchanting.

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Our foster-kittens are being very helpful with lots of feed-back. It will soon be time to cut the sections and begin the long slow dry.

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These fabulous images are from the wonderful Black Eagle Project.

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Studio Diary: The Marking Time Sculpture at Bronllys Hospital, Powys.part 4.

Working on a large scale means returning to the same form everyday for months. So you need to be sure about the design.

I’m really pleased with the scale of the Marking Time Sculpture. It is within the human scale range so that the embrace and  eye level of the dragon and the kite/guardian’s wings will feel very personal.

Marking Time scale model.

Marking Time scale model.

Osprey Studios has a flexible layout and a solid floor so that anything up to 6m x 3m can be built there which keeps costs down.

Osprey Studios has a flexible layout and a solid floor so that anything up to 6m x 3m can be built there which keeps costs down.

The base foot print was painted on the floor in red and the outline of widest/deepest edges painted in blue to check that there will be space to work around the forms. The largest section is set on blocks to give the height of the eye-line. The other 2 sections are on wheels for easier access. The base footprint is painted on the boards in blue.

I always miss my wonderful Volunteers from past projects at this point. But it is a lot easier to be building in my own studio. Advancing decrepitude means some of my systems for moving heavy loads around lack dignity. And I can loose myself in the curves.

Areas are kept wrapped in plastic to keep the drying even. When you add new clay you need to allow time for the water to re-balance itself down the form. A large piece will be holding gallons of water.

Areas are kept wrapped in plastic to keep the drying even. When you add new clay you need to allow time for the water to re-balance itself down the form. A large piece will be holding gallons of water.

I am building the armature of the piece. The final surface will be added to it so I need to keep the clay at the best stage of hardness. Scarva ES50 Crank holds its water really well while still being very strong at the leather-hard stage.

I will be adding a lot of deep texture and modelling so these armature walls are very thin. In places the lines and curves of the final form are showing.

There is an internal support structure made of clay that will stay in place during the firing. It will help to support the sections when the sculpture is cut up so you need to plan them well in advance. Other materials like foam and wood are used inside just long enough for the clay to stiffen. External supports can be anything. They will need constant adjusting to accommodate shrinkage. I have a treasured collection of heavy-duty props and oddly shaped bits of wood.

There is an internal support structure made of clay that will stay in place during the firing. It will help to support the sections when the sculpture is cut up so you need to plan them well in advance. Other materials like foam and wood are used inside just long enough for the clay to stiffen. External supports can be anything. They will need constant adjusting to accommodate shrinkage. I have a treasured collection of heavy-duty props and oddly shaped bits of wood and memory foam.

The lines of the supports can be distracting.

The lines of the supports can be distracting.

2/3 of the way up. But the forms are not complete, especially width-wise. You see the movement starting in the curves of the central space. I'm using the sound-track from The Legend of Korra to keep the theme consistent across the weeks of work.

2/3 of the way up. But the forms are not complete, especially width-wise. You see the movement starting in the curves of the central space. I’m using the sound-track from The Legend of Korra to keep the theme consistent across the weeks of work.

Studio Diary: The Marking Time Sculpture at Bronllys Hospital, Powys.part 2.

Marking Time Scale Model 1

Marking Time Scale Model 1

It has been a really good Consultation period. Everyone has been very open and generous with their time and thoughts, even when it was very difficult for them to do so.

The models, figures, benches and bases shown are all to scale. The full sized versions would have more texture/detail and the benches would be a metre further away.

We identified our primary audience as the people using, visiting or working at Bronllys Hospital. The overall impression/feel of the sculpture should be up-lifting and hopeful to support those who are ‘marking time’ in  stressful circumstances.

“The sculpture should have an aura of peace that will not interfere with the person’s unique moment”

“…so people can sit down and stay calm and feel safe.”

” In the discipline of Marking Time and manoeuvres like that, vulnerable people can find structure for their chaotic lives.”

” Marking Time is marching on the spot, keeping the beat, keeping in step with the group, in readiness to move onto the next task.”

And this triangle is the spot where the Marking Time Sculpture will go. There will be comfortable benches set in place so visitors, patients and staff have a tranquil place to sit and get a break from the often over-whelming activity in the Hospital.

And this triangle is the spot where the Marking Time Sculpture will go. There will be comfortable benches set in place so visitors, patients and staff have a tranquil place to sit and get a break from the often over-whelming activity in the Hospital.

The children at Mount Street Junior School felt it was important to help the Servicemen and women to forget and to ease them back into civilian life with games, walks, sports and domestic routines. The Ex- Servicemen and women agreed that humour and a sense of playfulness were key in allowing them not to forget but to learn to feel again. Military training is, by necessity, dehumanising:

“Dehumanised Soldiers find it hard to play nicely…”

“Snowball fighting can be more fun than real fighting because nobody gets hurt.”

The children agreed that ” The Soldiers need a bridge for when they come back to their families from the War.”

Many Servicemen are adolescents when they join-up and  their training replaces the natural pace of growing up. They cannot contextualise the shocks they are exposed to.

Marking Time Scale Model 1

Marking Time Scale Model 1. Bird forms in many sizes creating movement around the central space. 160cm H.(incls base).

Marking Time Scale Model 2

Marking Time Scale Model 2. Bird forms with a patterned texture suggested. 1metre high from the ground.

So: a sculpture with a narrative that releases the imagination, shows protectiveness and how the burden of being fierce and brave is shared and eased by those, of all sizes, being protected.

Marking Time Scale Model 3

Marking Time Scale Model 3. Three bird-forms.180cm H (incls base).

“A flowing circle, the movement of life, love, hope and promise will draw you in and guide you to change.”

Marking Time Scale Model 3

Marking Time Scale Model 3

Marking Time Scale Model 3

Marking Time Scale Model 3

“Regrets, we all have them. You need Hope to manage them.”

“Ephemeral, shadow-like.” ” A dragon in the mist.” “Inter-weaving the real and the etherial, making them equal.” ” Dragon of protection, Bird of hope.” “Intertwined spirals” “Water represents calm and peace. Flowers represent beauty. Dragon represents protection.” “…and a mystical Dragon and a moat with 3 piranhas.”

Marking Time Scale Model 4

Marking Time Scale Model 4

                                                  “The Bronllys Dragon by Ben,aged 8.

             Once upon a time there was a Dragon called Yddraig Goch. He would guard the Castle day to night until one day the Gorgan Maduser came. She looked the dragon in his eye but Yddraig Goch was quick as lightening to fly away. Yddraig Goch flew to the Military and perched on the roof. The army heard a thump on the roof and found Yddraig Goch, the Welsh Dragon.

                                               “Shoot him” said Ian. “I am ready, Sir”

                                                         “Wait!”said the Captain.

                                                         “What?!” said the army.

                                               “It’s Yddraig Goch, Lets make friends.”

              “What, with a Dragon?”  “Yes! Maybe he can help us against the other armies.”

Marking Time Scale Model 4

Marking Time Scale Model 4

 

The triangle base and the use of 3s has multiple significances in the Military, where groups are divided into 3 parts throughout it’s structure starting with Army/Airforce/Navy. Celtic and Christian symbolism is over-flowing with 3s.

Linked to the triangle is the heart shape, despite its over-use, still a “powerful symbol of the strongest emotion, the one that triumphs over all others.”

 

Marking Time Scale Model 4

Marking Time Scale Model 4

In Wales the Dragon is an especially potent icon representing the Land and bravery. The Red Kite is the Welsh National Bird and the symbol of Powys. Red Kites live separately but hunt and feed collectively when ever they can. They have an ordered community and share food and protect each other. After nearly going extinct in the UK due to cruelty and stupidity, their recovery has been brought about by the protection from a better society. Breeding from the surviving Welsh Kites, their numbers are growing: like the phoenix rising from the ashes.

For each version of the Sculpture: The Mosaic Base.

            The base of the sculpture will raise slightly in the centre of the triangle. A mosaic of good sized tiles of many shapes, with images and words about what makes up a strong Community, made with Mount Street Juniors and the A-Level students in Llandrindod Wells and beautiful, and vivid glass pebbles will be set in swirling lines with the most colour in the centre representing souls, ideals, that which is vulnerable and precious. 

The colours are blues/greens/yellows.

In the corners of the triangle will be set large tiles with ‘Accept the Past’, ‘Trust the Present’ and Faith in the Future’ and celtic knot-work carved on them.

 Assessment:

I don’t recommend Models 1-3. They are lovely in themselves but don’t quite hit the mark. They have been useful transitionary pieces.

Model 4:

The dragon’s expression will be extremely gentle and caring. The birds, of all sizes and types but mostly red kites will soar out from the centre. They will have a softness to their lines. They will support, encourage and assist the benevolent dragon, their wings working with his.

The max height (including base) is 180cm. Width: 150cm. Depth: 180cm.

The form has lightness and movement but is actually very strong and safe in all the ways discussed.

There will be many view-points of the mosaic.

The full sized version will have expressive textures and many more birds than could be put on a small model. It will be a very complex build and I am happy to add voluntary hours to the budget and time-line in order to complete this challenging piece because I believe it will be very beautiful.

Model 4 uses the consultation resources and our intended outcomes to the best effect. I feel everyone who contributed will be very pleased and will be able to see that their work is included.

 

Model 5: This is a condensed version of Model 4. It has the best of Model 4 and it adds the iconic local sky-line of Pen y fan mountain in the near-by Brecon Beacons. The Kite is now powerful enough to bring a sense of guardian angel to the mix. The Dragon and the Kite interact to create an embrace around the centre of a richly coloured mosaic of glass pebbles and hand-made and decorated tiles in shades of blue and green that swirl outwards from the centre. It has 3 points connecting it to the ground. There are 2 holes through the form.

Marking Time, Bronllys Hospital, Scale Model 5.

Marking Time, Bronllys Hospital, Scale Model 5.

Marking Time, Bronllys Hospital, Scale Model 5.

Marking Time, Bronllys Hospital, Scale Model 5.

Marking Time, Bronllys Hospital, Scale Model 5.

Marking Time, Bronllys Hospital, Scale Model 5.

 

The max height (including base) is 180cm. Width: 150cm. Depth: 180cm.

The form will not get cluttered with leaves in the way that Model 4 will in this woodland site. Model 5 will age gracefully with out looking neglected. It is sturdy and safe while retaining the flowing movement.

Update, 5/3/16

To keep within the Budget we need to reduce the size of the foundation.

Model 6 is based very much on Model 5 but it is divided into 3 sections which has lead to some interesting and lovely developments in the forms. The sense of the protective, sheltering embrace is still clear but there is more movement and echoes of bird-forms. The dragon’s head is moved into the centre adding to the protective feel and this enhances the over-all silhouette.

The dimensions are the same. I have added to the base-line so that the 3 forms are self-supporting to ease strain on the small foundations.  When the sculpture was a single form it supported itself from tipping over. But the weight was all standing on 3 small points that would have put a lot of strain on a small foundation. The 3 sections allow some ‘give’ as the sculpture settles on the site.

This model is not as neatly finished as Model 5: don’t let that distract you. I will use both models during the build.

Marking Time Model 6.

Marking Time Model 6.

 

Marking Time Model 6.

Marking Time Model 6.

Marking Time Model 6.

Marking Time Model 6.

Marking Time Model 6.

Marking Time Model 6.

Marking Time Model 6.

Marking Time Model 6.

The foundation will have 3 parts linked by a reinforcement-bar grid. Hard-core will form a small rise towards the centre. The mosaic will be set into hand-made cement paving slabs made at Osprey Studios. This will give more time to the layout of the mosaic and the results will be better than setting them onsite. It will save the surprisingly large cost of Out-door Tile Adhesive.

This is a good set of solutions with a lot gained and nothing lost except the costs of a large, poured foundation. It does create a lot more work for the sculpture-build but I am willing to take that on: it will be satisfyingly challenging.