Marking Time Sculpture, Bronllys Hospital, one year on.

 

To get the best out of our modest budget we used some new techniques and on my 1 year maintenance visit to this the lovely site I was hugely pleased to see they have worked really well. Despite a very harsh winter the sculpture looks fresh and is weathering in a uniform, gentle way. The moss is slowly collecting in the deep textures as planned.

The lovely, thoughtful planting has re-grown beautifully, complimenting the form perfectly, softening the site and integrating it into the lovely woodland which is overflowing with flowers and birds.

The paths are still level, easy for patients to use and now look like they have been there forever.

While I was there working a lot of people strolled by. They said this had become their sanctuary, a moment of peace and escape from the pressures in the hospital, where they could revive. This is exactly what we wanted. A wonderful result.

Everyone is welcome to visit this stunning spot at Bronllys Hospital grounds in Powys, Wales.

You can read the whole story of this wonderful project, including how the sculpture was designed with local people and built at Osprey Studios, in the other Marking Time posts here on this site.

Studio Diary: The Marking Time Sculpture at Bronllys Hospital, Powys, part 9.

The Installation.

I was really lucky to be working with the wonderful, resourceful, ingenious Gareth Ellis from Green Valleys. He has the patients of a saint. The writer Mark Christmas gave a huge amount of time and hard labour in addition to his years-long dedication to this project and this poem which will be set at the entrance to the woodland walk:

                                                                                        Catching a Moment

                                                                                               Within these woods

                                                                                       there is a breath to be found

                                                                               to ease new life into sight and sound

                                                                           transforming our world and how we see

                                                                           each branch, each twig, each living tree

                                                                                   so when the hurt inside we feel

                                                                               creates distraction with no appeal

                                                                        take a walk on this path to find this rhyme

                                                                            you will no longer be ‘Marking Time.’

                                                                                                                   Mark Christmas, 2015.

                                                                                                                   Dedicated to those who understand.

Because vehicles could not pull up to the site, the budget was tight (having been well squeezed by this point as is my habit!) and we couldn’t be too sure who would be able to join us we used a slightly different installation method than in previous sculptures.

We fixed the triangle of heavy railway sleepers securely, dug down 20 cms and then packed in hollow breeze blocks.

The first sections were put in place using the paper template of the mosaic and corner tiles, steel rebars hammered down through the sections and well into the ground and then post-crete was poured into all available gaps and half way up inside the first 3 sculpture sections.

Gareth Ellis and Mark Christmas. Marking Time, Bronllys Hospital, Powys.

The second sections were braced in place using blocks/ wood/ prayers, rebars set, post-crete poured.

Mark Christmas working on the Marking Time Sculpture, Bronllys Hospital, Powys.

The mosaic was built in the studio in 3 sections to aid handling and set securely in place with concrete going right down into the breeze block hollows. The mosaic tiles and the triangle corner-tiles were beautifully made by pupils in Ross Bennett’s Art Department at Llandrindod High School.

Marking Time, Bronllys Hospital, Powys.

Me adding the finishing touches to the mosaic, Marking Time, Bronllys Hospital, Powys.

Mark Christmas brought in poet Emma nan Woerkom to take some lovely photos and create this beautiful poem that has been cut in brass for the site.

Marking Time, Bronllys Hospital, Powys.

All the visible cement (pointing etc) was done with a white cement/gold sand mix that matches the fired colour of the Scarva ES50 clay perfectly. On the floor we topped it with light brown flint chippings and extra, handmade blue mosaic tiles and glass to soften the edge of the mosaic.

Marking Time, Bronllys Hospital, Powys.

Finishing touches on the sculpture were done with Milliput and the golden cement.

Marking Time, Bronllys Hospital, Powys.

Mick Farell has been a key part of this project and he was wonderfully supportive during the installation. His enchanting poem, written especially for the sculpture completes the triangle.

                                                                                               We are the child of nevermind

                                                                                             Who, finding dreams lost, unfind

                                                                                      Who, wandering, walking paths unknown

                                                                                               to find a woodland overgrown

                                                                                           And seeing in that woodland Glen

                                                                                              The happy minds of nevermen

                                                                                           Who elfin laughter laughly speak

                                                                                             Of how we humans keenly seek

                                                                                               Some new haven overhewn

                                                                                               And child stars of the moon

                                                                                                                                           Mick Farrell, 2016.

The poem tiles were made by the same fabulous pupils at Mount Street Junior School that developed the theme with me last year ( see Part 1)They are fixed to the sleepers with tile adhesive and screws.

We have spent a great deal of time on this one and it has been worth it. The Team have been a joy to work with and the whole woodland site looks really beautiful. Gareth Ellis and Mick Farrell will put in the benches and place and secure some tree-trunk logs. This is going to be such a calming, peaceful place for people involved with the Hospital to rest and revive.

                              

 

Studio Diary: The Marking Time Sculpture at Bronllys Hospital, Powys, part 8.

The cut sections had a slow dry for a month and the last 6 weeks in a tent with the dehumidifier. Water is still collecting!! Soon I’m going to have to start the firing. But if the sections are still damp they will explode into a trillion smithereens….

 

Rebecca Buck, Osprey Studios.

 

The letter tiles look great.

Rebecca Buck, Osprey Studios.

Studio Diary: The Marking Time Sculpture at Bronllys Hospital, Powys.part 7.

 

Rebecca Buck, Osprey Studios.

The Marking time sculpture is built and cut into sections. Each part will be prepared for a long managed drying and a very slow firing.

Rebecca Buck, Osprey Studios.

It has been wonderful work. Very challenging and engrossing. The scale is great: I spent a lot of time working with-in the embrace. The supports worked really well, didn’t get in the way  and there has been no cracking at all. Scarva ES 50 Crank is an outstanding clay.

Rebecca Buck, Osprey Studios.

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Rebecca Buck, Osprey Studios.

The edges are sharp and there is good variety and rhythm in the texture. The sculpture changes as you walk around it, with that rhythm creating unity and a flow that draws you in.

Rebecca Buck, Osprey Studios.

Once it is installed I will use the earth pigments that have become a really valuable material in my work recently, to add a thin white wash over the whole piece. The soft yellow of the clay will glow through the white and in the dappled shade of the woodland we will get a dream-like radiance. Over time the moss will add the finishing touch, making the form part of the place.

Rebecca Buck, Osprey Studios.

Rebecca Buck, Osprey Studios.

The Red Kite, which represents the community supporting military from all angles with love, strength and unity, is very overt. During the consultation people spoke about a dragon in the mist, etherial, a force of nature. The dragon is there in the form making the embrace that shelters, guards and protects the vivid, swirling blue mosaic which is life. The dragon’s face shifts, the eye changing with the light.

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I have put blue underglazes on the wonderful mosaic pieces made by the fab pupils of out-standing art teacher, Ross Bennet, at Llandrindod Wells High School. The colour will deepen in the fire. A range of rich blue, high-quality glass pebbles will be set with these ceramics in the middle of the embrace.

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The 3 corner-tiles have soft blues added. They will also deepen in colour and have the same satin-matt texture.

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The 3rd corner tile will be done with Mount Street Junior School in Brecon. It will have the story of an army joining forces with a dragon that is shown in part 2 and the tri-corner  celtic knot will feature again.

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Rebecca Buck, Osprey Studios.

Rebecca Buck, Osprey Studios.

Rebecca Buck, Osprey Studios.

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Studio Diary: The Marking Time Sculpture at Bronllys Hospital, Powys.part 6.

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Things are progressing really well. The intense texture, which will look great in the woodland light, is developing  strong patterns and as the curves get tightened up there is lots of flowing movement.

 

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The birds head is done and the dragon’s is getting there. The main thing, a powerful embrace,  is there and when the blue mosaic is in place in the centre it will look enchanting.

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Our foster-kittens are being very helpful with lots of feed-back. It will soon be time to cut the sections and begin the long slow dry.

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These fabulous images are from the wonderful Black Eagle Project.

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Studio Diary: The Marking Time Sculpture at Bronllys Hospital, Powys.part 5.

Marking Time Sculpture for Bronllys Hospital, Powys, UK.

Marking Time Sculpture for Bronllys Hospital, Powys, UK.

The full structure is built and the 1st layer of the textured surface is on. It has been every bit as challenging as I hoped!

Marking Time Sculpture for Bronllys Hospital, Powys, UK.

Marking Time Sculpture for Bronllys Hospital, Powys, UK.

The next stage is developing  the surface to enhance the flow of the curves. The clay with extra grog added will go on in layers using ever-smaller tools. It takes a great deal of time but it will leave fascinating, subtle surfaces and edges that are also very strong.

Marking Time Sculpture for Bronllys Hospital, Powys, UK.

Marking Time Sculpture for Bronllys Hospital, Powys, UK.

In these early stages it can look distractingly chaotic. Any part that just doesn’t work well can be removed and redone.

Mick Farrell and Janet Epplestone visiting Osprey Studios to help with their very useful feed-back.

Mick Farrell and Janet Epplestone visiting Osprey Studios to help with their very useful feed-back.

It was lovely to have Mick and Janet call in to give me their objective feed-back. And some gorgeous flowers for my birthday! I will get in as many people as I can to double-check how the piece is being read. The Red Kite is becoming very clear. Bringing together the Dragon will be the trickiest bit.

Marking Time Sculpture for Bronllys Hospital, Powys, UK.

Marking Time Sculpture for Bronllys Hospital, Powys, UK.

Studio Diary: The Marking Time Sculpture at Bronllys Hospital, Powys.part 4.

Working on a large scale means returning to the same form everyday for months. So you need to be sure about the design.

I’m really pleased with the scale of the Marking Time Sculpture. It is within the human scale range so that the embrace and  eye level of the dragon and the kite/guardian’s wings will feel very personal.

Marking Time scale model.

Marking Time scale model.

Osprey Studios has a flexible layout and a solid floor so that anything up to 6m x 3m can be built there which keeps costs down.

Osprey Studios has a flexible layout and a solid floor so that anything up to 6m x 3m can be built there which keeps costs down.

The base foot print was painted on the floor in red and the outline of widest/deepest edges painted in blue to check that there will be space to work around the forms. The largest section is set on blocks to give the height of the eye-line. The other 2 sections are on wheels for easier access. The base footprint is painted on the boards in blue.

I always miss my wonderful Volunteers from past projects at this point. But it is a lot easier to be building in my own studio. Advancing decrepitude means some of my systems for moving heavy loads around lack dignity. And I can loose myself in the curves.

Areas are kept wrapped in plastic to keep the drying even. When you add new clay you need to allow time for the water to re-balance itself down the form. A large piece will be holding gallons of water.

Areas are kept wrapped in plastic to keep the drying even. When you add new clay you need to allow time for the water to re-balance itself down the form. A large piece will be holding gallons of water.

I am building the armature of the piece. The final surface will be added to it so I need to keep the clay at the best stage of hardness. Scarva ES50 Crank holds its water really well while still being very strong at the leather-hard stage.

I will be adding a lot of deep texture and modelling so these armature walls are very thin. In places the lines and curves of the final form are showing.

There is an internal support structure made of clay that will stay in place during the firing. It will help to support the sections when the sculpture is cut up so you need to plan them well in advance. Other materials like foam and wood are used inside just long enough for the clay to stiffen. External supports can be anything. They will need constant adjusting to accommodate shrinkage. I have a treasured collection of heavy-duty props and oddly shaped bits of wood.

There is an internal support structure made of clay that will stay in place during the firing. It will help to support the sections when the sculpture is cut up so you need to plan them well in advance. Other materials like foam and wood are used inside just long enough for the clay to stiffen. External supports can be anything. They will need constant adjusting to accommodate shrinkage. I have a treasured collection of heavy-duty props and oddly shaped bits of wood and memory foam.

The lines of the supports can be distracting.

The lines of the supports can be distracting.

2/3 of the way up. But the forms are not complete, especially width-wise. You see the movement starting in the curves of the central space. I'm using the sound-track from The Legend of Korra to keep the theme consistent across the weeks of work.

2/3 of the way up. But the forms are not complete, especially width-wise. You see the movement starting in the curves of the central space. I’m using the sound-track from The Legend of Korra to keep the theme consistent across the weeks of work.